ubterranean Blue Poetry
Volume III Issue VI

The Cover Art/Photo:

“The Eye” by David Altmejd

The Photo by Victor Tangermann


“The messenger

the harbinger

the angel

after the fire

of the crucible

he who gives water

by the battlefield

gathers the lost souls in his arms

carries them up into the sky,

the heaven

into the vast expanse of water

by the stars”

- from The Angel
by Rebecca Anne Banks

Subterranean Blue Poetry
Volume III Issue VI
(June 2015)

Subterranean Blue Poetry

© 2015

A pilgrim’s journey.

by Edilson Afonso Ferreira

I wander by unvoiced, almost secretly,

like a ghost by corners of a sleeping city,

fearful they could awake arresting me

to die at dawn on merciless lethal light.

Comrades on the road.

by Edilson Afonso Ferreira

I believe there is a conspiracy ongoing

involving all of us.

I don’t know when or where it has begun,

nor who has initiated it.

They occult from me their talks

just I approach anyone of them.

It seems to me stealthy fellowship,

a strange one, of saints and demons,

angels and warlocks, even goblins.

They congregate to rule humanity,

fighting for our souls, one by one.

Someone has been told it is a caste

that rids humanity from wrecking

and leaves it alive through the road,

leavening us before ultimate battle.

Featured Poet: e.e. cummings

Somewhere I have never travelled, gladly beyond


e.e. cummings

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look will easily unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously)her first rose

or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

Missed Connections

Craigslist Montreal – Missed Connections – March 2nd, 2015 - Anonymous

Stein and Shakespeare - w4m

Words ... because you like them ...
and I like everything you write.

"What's in a name? That which we call a rose
By any other name would smell as sweet."
Romeo and Juliet (II, ii, 1-2)

Stein's Rose

Sacred Emily

Compose compose beds.

Wives of great men rest tranquil.

Come go stay philip philip.

Egg be takers.

Parts of place nuts.

Suppose twenty for cent.

It is rose in hen.

Come one day.

A firm terrible a firm terrible hindering, a firm hindering have a ray nor pin nor.

Egg in places.

Egg in few insists.

In set a place.

I am not missing.

Who is a permit.

I love honor and obey I do love honor and obey I do.

Melancholy do lip sing.

How old is he.

Murmur pet murmur pet murmur.

Push sea push sea push sea push sea push sea push sea push sea push sea.

Sweet and good and kind to all.

Wearing head.

Cousin tip nicely.

Cousin tip.


Wearing head.

Leave us sit.

I do believe it will finish, I do believe it will finish.

Pat ten patent, Pat ten patent.

Eleven and eighteen.

Foolish is foolish is.

Birds measure birds measure stores birds measure stores measure birds measure.

Exceptional firm bites.

How do you do I forgive you everything and there is nothing to forgive.

Never the less.

Leave it to me.

Weeds without papers.

Weeds without papers are necessary.

Left again left again.

Exceptional considerations.

Never the less tenderness.

Resting cow curtain.

Resting bull pin.

Resting cow curtain.

Resting bull pin.

Next to a frame.

The only hat hair.

Leave us mass leave us. Leave us pass. Leave us. Leave us pass leave us.

Humming is.

No climate.

What is a size.

Ease all I can do.

Colored frame.

Couple of canning.

Ease all I can do.

Humming does as

Humming does as humming is.

What is a size.

No climate.

Ease all I can do.

Shall give it, please to give it.

Like to give it, please to give it.

What a surprise.

Not sooner whether.

Cordially yours.


Cordially yours.

Not sooner together.

Cordially yours.

In strewing, in strewing.

That is the way we are one and indivisible.

Pay nuts renounce.

Now without turning around.

I will give them to you tonight.

Cunning is and does cunning is and does the most beautiful notes.

I would like a thousand most most.

Center pricking petunia.

Electrics are tight electrics are white electrics are a button.

Singular pressing.

Recent thimble.

Noisy pearls noisy pearl coat.


Arrange wide opposite.

Opposite it.

Lily ice-cream.


A hand is Willie.

Henry Henry Henry.

A hand is Henry.

Henry Henry Henry.

A hand is Willie.

Henry Henry Henry.

All the time.

A wading chest.

Do you mind.

Lizzie do you mind.




Next to barber.

Next to barber bury.

Next to barber bury china.

Next to barber bury china glass.

Next to barber china and glass.

Next to barber and china.

Next to barber and hurry.

Next to hurry.

Next to hurry and glass and china.

Next to hurry and glass and hurry.

Next to hurry and hurry.

Next to hurry and hurry.

Plain cases for see.

Tickle tickle tickle you for education.

A very reasonable berry.

Suppose a selection were reverse.

Cousin to sadden.

A coral neck and a little song so very extra so very Susie.

Cow come out cow come out and out and smell a little.

Draw prettily.

Next to a bloom.

Neat stretch.

Place plenty.



Curtain cousin.


Neither best set.

Do I make faces like that at you.


Not writing not writing another.

Another one.


Jack Rose Jack Rose.

Practically all of them.

Does believe it.

Measure a measure a measure or.

Which is pretty which is pretty which is pretty.

To be top.

Neglect Waldberg.

Sudden say separate.

So great so great Emily.

Sew grate sew grate Emily.

Not a spell nicely.


Weigh pieces of pound.

Aged steps.


Not a plan bow.

Why is lacings.

Little slam up.

Cold seam peaches.

Begging to state begging to state begging to state alright.

Begging to state begging to state begging to state alright.

Wheels stows wheels stows.


Cotton could mere less.




From the standpoint of all white a week is none too much.

Pink coral white coral, coral coral.

Happy happy happy.

All the, chose.

Is a necessity.


Happy happy happy all the.

Happy happy happy all the.


Remain seated.

Come on come on come on on.

All the close.

Remain seated.


All the.


Remain seated.

All the, close.

Websters and mines, websters and mines.

Websters and mines.


Gold space gold space of toes.

Twos, twos.

Pinned to the letter.

In accompany.

In a company in.



Natural lace.

Spend up.

Spend up length.

Spend up length.

Length thoroughly.


Neatness Neatness.

Excellent cording.

Excellent cording short close.

Close to.


Pin black.

Cough or up.



Neater pin.

Pinned to the letter.

Was it a space was it a space was it a space to see.

Neither things.



Say say say.

North of the calender.


Peoples rest.

Preserve pulls.

Cunning piler.

Next to a chance.



Apples went.

It was a chance to preach Saturday.

Please come to Susan.

Purpose purpose black.

Extra plain silver.

Furious slippers.

Have a reason.

Have a reason candy.

Points of places.

Neat Nezars.

Which is a cream, can cream.

Ink of paper slightly mine breathes a shoulder able shine.


Near glass.

Put a stove put a stove hoarser.

If I was surely if I was surely.

See girl says.

All the same bright.


When a churn say suddenly when a churn say suddenly.

Poor pour percent.

Little branches.








Near sights.

Please sorts.



Put something down.

Put something down some day.

Put something down some day in.

Put something down some day in my.

In my hand.

In my hand right.

In my hand writing.

Put something down some day in my hand writing.

Needles less.

Never the less.


Never the less extra stress.

Never the less.


Old sight.


Real line.


Upper states.

Mere colors.

Recent resign.

Search needles.

All a plain all a plain show.

White papers.


Slippers underneath.

Little tell.

I chance.

I chance to.

I chance to to.

I chance to.

What is a winter wedding a winter wedding.

Furnish seats.

Furnish seats nicely.

Please repeat.

Please repeat for.

Please repeat.

This is a name to Anna.

Cushions and pears.

Reason purses.

Reason purses to relay to relay carpets.

Marble is thorough fare.

Nuts are spittoons.

That is a word.

That is a word careless.

Paper peaches.

Paper peaches are tears.

Rest in grapes.

Thoroughly needed.

Thoroughly needed signs.

All but.

Relieving relieving.


That is plenty.

Cunning saxon symbol.

Symbol of beauty.

Thimble of everything.

Cunning clover thimble.

Cunning of everything.

Cunning of thimble.

Cunning cunning.

Place in pets.

Night town.

Night town a glass.

Color mahogany.

Color mahogany center.

Rose is a rose is a rose is a rose.

Loveliness extreme.

Extra gaiters.

Loveliness extreme.

Sweetest ice-cream.

Page ages page ages page ages.

Wiped Wiped wire wire.

Sweeter than peaches and pears and cream.

Wiped wire wiped wire.

Extra extreme.

Put measure treasure.

Measure treasure.

Tables track.



That will do.

Cup or cup or.

Excessively illigitimate.

Pussy pussy pussy what what.

Current secret sneezers.


Mercy for a dog.

Medal make medal.

Able able able.

A go to green and a letter spoke a go to green or praise or

Worships worships worships.


Do or.

Table linen.

Wet spoil.

Wet spoil gaiters and knees and little spools little spools or ready silk lining.

Suppose misses misses.

Curls to butter.



Settle stretches.

See at till.



Sail or.

Sail or rustle.

Mourn in morning.

The way to say.


Deal own a.


A high b and a perfect sight.

Little things singer.



Not in description.

Day way.

A blow is delighted.

Book Reviews

Case Study: With, brilliant New Age narrative poetry.

Byline: Subterranean Blue Poetry

Title of Book: Case Study: With

Author: Jennifer Kronovet

Publisher: above/ground press

Date of Publication: 2015

Page Count: 24

“I was hit hard by the light so bright it burned
And all at once I knew she’d understand . . . “
- from Boy Inside the Man by Tom Cochrane

Case Study: With by Jennifer Kronovet is a brilliant turn on narrative discourse poetry. Poet Kronovet is published extensively in journals, including Aufgabe, Bomb, Review, Fence, Boston Review amongst others. She translates poetry and has taught at Washington University, Missouri; Columbia University and Beijing Normal University. She is also the Co-Editor of CIRCUMFERENCE: The Journal of Poetry in Translation and has published a book of poetry, Awayward (BOA Eitions, 2009).

This poetry exists in the realm of magic. The narrative poetry is enigmatic, with a certain Zen of understanding that weaves the esoteric with reality. The poetry is centered around “the boy”, as if the Poet is raising a young male child and this is her experience of her son from her view inside the world of culture.

“With the Boy, with Myself

He has thoughts he doesn’t think about. Birds might wake him, but they don’t. My thoughts feel like speech – how one animal makes nature – until I speak to him. We use words like a tree uses light: there is a process we don’t see but do.

A kid I don’t know hits another I don’t know. I say stop stop to myself. Speech will keep happening against me. The boy will wake to cry.”

“What the Boy Who Wants to See His Heart

He says the moon comes with us when we drive at night. He says in front of the trees behind the trees in front of the trees behind the trees. He says I have eyes. He says goodbye fish. He says the moon comes with us. The heart is a rumor inside your heart. He says a rumor is a man wearing a mask.”

The feminine mystique of wholeness and creationist mythologies are celebrated. At the essence, this poetry captures the grace of a lost world, a world of magic. The child is the catalyst for the magic of new beginnings, a life being introduced to the “machine.” As if all the hopes and dreams of possibility collide with the Poet’s understandings of the world.

“With the Boy, Inside the Museum

A painting of horses charging in a war. The war is subtle but the horses aren’t. Nouns, for the boy, live in the sounds nouns make. We don’t hear the horses, but the boy makes us. Our war is silent as horseflesh armoring distance. The boy’s future war makes a sound. We imitate that sound by accident.”

Case Study: With, is also protest poetry, perhaps a reflection of the violence of the N.A. war economy. “The fence that became incorporated into the bark. It’s resilient as I bash it against the stones. It fits us to the rules that rule what can fit as we rule them.” And, “The why that addresses me makes me live in because, a place where every answer has an equal but opposite error.”

Ms. Kronovet is a gifted Poet, with a new, forthcoming narrative style, a progression from the Postmodernist School. Such a brilliant poetry read for a Summer afternoon, Case Study: With by Jennifer Kronovet.

Available @ above/ground press.


The Destructions: Beat Poetry loud by Amish Trivedi.

Byline: Subterranean Blue Poetry

Title of Book: The Destructions

Author: Amish Trivedi

Publisher: above/ground press

Date of Publication: 2015

Page Count: 17

“pockets full of shells”
- from Bulls on Parade by Rage Against the Machine

The Destructions is the 5th Chapbook by Amish Trivedi, a Poet, Poetry Editor and Professor at Roger Williams University in America. He has earned degrees from the University of Georgia and Brown University. His poetry has been published in many journals, he writes Book Reviews and is a co-editor of the literary journal N/A.

A loud, stereographic offering in staccato rhythms, with the careful choosing and juxtapositions of a few words, like a bomb going off. Rooted in the sensuality of the physical union, the war economy North America, the sex in a box economy, the violence is presented as ended possibilities. Love/sex outside of covenant is war.

"Fifth Wheel

in a moment
   of regeneration:    thirty-seven    minutes of waiting

in heat. Warnings of
light massacres
    and a manifestation

of detachments."


One set of
words for our
   inside voice:    letters spray-    painted to

appear in
magazines. This
    night is a dream

of violence coming."

Poet Trivedi uses medical images, the disembodied, a love affair as surgery, playing with images of death.

In "Four Destructions

And another
and stationary
    level three coma     and everything     tired of

staying for anyone
other than anything
    beyond neutralities


Also, the Poet plays with language and morphing words that are the titles of the vignette poems: Destructionette, Destructatron, Destructagedon, Destructocution, Destructionista, Destructitarium. I suspect anger at the violence of love life North America, that plays into word constructions and staccato poetry in the Beat tradition. A masculine view with the theme of the “sex as death” oeuvre that is a brilliant excursion in the heat of a Summer evening. The Destructions by Amish Trivedi.

Available @ above/ground press.

“quiet, the moon sees and closes its eyes

through winter clouds . . . “

the turn of the moon


Rebecca Anne Banks

she strips her chest of clothing

to wash in the river

her unbound hair, falls

into wheat

seeds the ground

bound we walk in medicated hazes

désolé, bare fields in autumn


she looked at the moon

her lover looked back

“the look of love”

lost and found and blue

“I’ve lost joy”

he was this tall

and this blue

he was this beautiful

and this blue . . .

the moon sees,

is lost behind clouds.


Rebecca Anne Banks lives in Montreal. She is the author of 25 books of poetry, a family cookbook, a book of children’s stories, a book of World Peace Newsletters and a primer on marriage discernment all available on (www.amazon.ca). She is also the CEO/Artist at Tea at Tympani Lane Records (www.tympanilanerecords.com) and The Book Reviewer at The Book Reviewer (www.thebookreviewer.ca).

e.e. cummings (Poet, Author, Playwright, Essayist, Artist) was born in Cambridge, Massachusetts and is one of the greatest writers of the 20th century. He served in the ambulance corps during World War I. He graduated Harvard University and later was a guest lecturer. He had 3 marriages, Elaine Orr gave him a daughter Nancy, Anne Minnerly Barton and he lived commonlaw with Marion Morehouse (1932 - 1962). He is noted for his avante-garde poetry and received numerous awards. He is most noted for the books, The Enormous Room, Tulips and Chimneys, is 5, EIMI, No Thanks, Santa Claus: A Morality, Fairy Tales and numerous books of poetry, amongst others.

Edilson Afonso Ferreira. Mr. Ferreira is a Brazilian poet who writes in English rather than Portuguese, in order to reach more people. Has been published in four printed British Anthologies, online or printed reviews like Cyclamens and Swords, Right Hand Pointing, Boston Poetry Magazine, West Ward Quarterly, TWJ Magazine and some others. Short-listed in four American Poetry Contests, began to write after retirement as a Bank Manager, is seventy-one years old, lives in a small town with wife, three sons and a granddaughter. See more of the poetry of Mr. Ferreira in his site: www.edilsonmeloferreira.wordpress.com.

Jennifer Kronovet was born in New York, New York. She is published extensively in journals, translates poetry and has taught at Washington University, Columbia University and Beijing Normal University. She is the Co-Editor of CIRCUMFERENCE: The Journal of Poetry in Translation and has published Awayward (BOA Eitions, 2009) her first book of poetry.

Victor Tangermann "has graduated from McGill University with a Bachelor in Philosophy and International Development Studies, but has maintained a strong interest in photography, and has acted as Photo Editor of The McGill Daily, Canada’s largest student newspaper for the last two years." www.victortangermann.com.

Amish Trivedi was born in Georgia, United States. He graduated both the University of Georgia and Brown University and teaches at Roger Williams University, Rhode Island. As well as writing Poetry, he writes Book Reviews, has been published in many journals and co-edits the literary journal N/A. He has published 5 Chapbooks and a first book of poetry, Sound/Chest with Coven Press.